Alla Simone Peterzanos Oljemålningar
ID Bilder  Oljemålningar Från A till Z     Information
86617  
Simone Peterzano, Peapods and Cherries
  		Peapods and Cherries Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 16 cm (6.3 in). Width: 15 cm (5.9 in). cjr
90533  
Simone Peterzano, Peapods and Cherries
  		Peapods and Cherries second half of 16th century Medium Oil on prepared paper Dimensions Height: 16 cm (6.3 in). Width: 15 cm (5.9 in). cyf
86615  
Simone Peterzano, Still-Life of Figs
  		Still-Life of Figs Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cjr
90524  
Simone Peterzano, Still-Life of Figs
  		Still-Life of Figs second half of 16th century Medium Oil on prepared paper Dimensions Height: 19 cm (7.5 in). Width: 29 cm (11.4 in). cyf
90532  
Simone Peterzano, Still-Life of Squash
  		Still-Life of Squash second half of 16th century Medium Oil on prepared paper cyf
86616  
Simone Peterzano, Still-Life of Squash, Lilies, Peaches, and Pears
  		Still-Life of Squash, Lilies, Peaches, and Pears Date second half of 16th century Medium Oil on prepared paper Dimensions Height: 26 cm (10.2 in). Width: 40 cm (15.7 in). cjr
Simone Peterzano
(c. 1540 - c. 1596) was an Italian painter of the later Mannerism, native of Bergamo. He is mostly known as the master of Caravaggio. He was a pupil of Titian in Venice, Peterzano debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Veronese and Tintoretto. In the same year he painted two canvasses with Histories of Sts. Paul and Barnabas for the church of San Barnaba, also in Milan. Also from the same period are a Piete in the church of San Fedele and a Pentecost for San Paolo Converso (now in Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. His last works, characterized by a cold monumental style, include a fresco with Stories of St. Anthony of Padua for the church of Sant'Angelo, a canvas with Madonna with Child and Saints for the parish church of Bioggio (Canton Ticino) and an altarpiece with St. Ambrose between Sts. Gervasius and Protasius in the Duomo of Milan (1592, now in the Pinacoteca Ambrosiana).



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